Early Recording Sessions, Louis Rastelli
EARLY RECORDING SESSIONS (sidebar)
Louis Rastelli
From Vol. 2, No. 4
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Early Recording Sessions, Louis RastelliEARLY RECORDING SESSIONS (sidebar) Louis Rastelli From Vol. 2, No. 4 Talking with Morris Apelbaum of Montreal’s Silent Sound StudioTalking with Morris Apelbaum of Montreal’s Silent Sound Studio Morris Apelbaum has been involved in recording Montreal (and other) music for decades. I think I first saw his name on a record sleeve when I was about 13, on the debut single by local punks The Asexuals (on OG Records. Still sounds good 20 years later!) His basement Silent Sound Studio on Clark St. in the Plateau was one of those places where so much local music was recorded, you couldn’t possibly list all the bands that passed through it. HISTORY OF THE RECORD INDUSTRY PART 2HISTORY OF THE RECORD INDUSTRY PART 2 a look at major labels from inside and out Interview with Louise BurnsMAJOR BULLSHIT Alien8 Records Interview by Louis RastelliAlien8 Records Kranky Records Interview by Louis RastelliKranky Records G7 Welcoming Committee Interview by Louis RastelliG7 Welcoming Committee Grenadine Records Interview by Louis RastelliGrenadine Records Endearing Records Interview by Louis RastelliEndearing Records Dischord Records Interview by Louis RastelliDischord Special Section on Independent LabelsSpecial Section on Independent Labels Union Records Interview by Louis RastelliUnion Records One summer evening in 2004, I met up with Matt Collyer at Miami Bar in Montreal, founder of Stomp Records (now Union Records Group) and founding member of The Planet Smashers. He was between stops on the band’s big 10th anniversary tour, and we spoke about how his label got started, how it’s managed to make it through some rough spots, and how it’s trying to meet the recent challenges to the industry. SHEET MUSIC, PLAYER PIANOS AND TIN PAN ALLEYSheet Music, Player Pianos and Tin Pan Alley PAST VISIONS OF THE FUTURE OF SOUND RECORDINGBy Louis Rastelli An 1886 Harper’s magazine article (quoted elsewhere here) correctly predicts that as sound quality improves, this “graphophone” could be used for music and allow just about anyone to hear the famous singers in their own homes. (more…) |
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